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It is essential
to commence our journey

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into the world of William Shakespeare
in Stratford-upon-Avon.

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It was here that he was born,
spent his childhood,

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fell in love, and raised his children.

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Stratford was the place
to which he returned time and time again.

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During his career, he bought land here
and the impressive house, New Place,

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after gaining literary
and financial success in London.

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This building, Holy Trinity Church
in Stratford-upon-Avon,

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is the perfect place to start the delving
into the life of William Shakespeare.

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He was baptized here on April the 26th,
1564, and he was buried here.

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We don't know for certain,
but it is possible

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that Shakespeare's birthday was
on the very same day

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as the day he died,
April the 23rd, St George's Day.

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This Holy Trinity Church goes back
to the early 13th century

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and is the oldest building
in Stratford-upon-Avon.

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But great changes had happened
within these walls in the few years

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before Shakespeare's name was entered
into the baptismal register here.

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The Church had lost its connection
with Rome.

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This was the England of Elizabeth,

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the England of the Reformation
initiated by Henry VIII.

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Like many other families,

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the Shakespeares were deeply affected
by this enforced change

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in their religious practice.

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Nothing was certain.

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There were many shifts and changes
in the years after Henry VIII,

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first to Protestant Edward VI,

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then back to Catholicism with Mary
and then Elizabeth,

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who was determined to rule
in the Protestant way.

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Stratford, at the time
of Shakespeare's birth,

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it was a town
of about 2,000 people,

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it was a market town,
it served the neighborhood.

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People would come from neighboring
villages to bring their produce.

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Stratford is a town
that was predominantly agricultural,

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and it's very ideally situated
for the Cotswolds.

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So, the wool trade was
very, very prominent in Stratford.

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Stratford-on-Avon
in the mid-16th century

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was an unremarkable little town.

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It was small,
a population of around 2,000,

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and it was a struggle for the town
to maintain such a number.

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Outbreaks of the plague were common here
as they were across the country.

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The black death had come
to England 200 years before,

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and everyone lived in daily fear
of a return of this deadly disease.

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The plague was always, always
a concern in Stratford,

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as it was in other towns as well.

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Almost every year,
the plague would've hit Stratford.

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The year Shakespeare was born

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happened to be a particularly bad year
for the plague.

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There's one very good example
in the parish register in front of me here

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that is from July of 1564,

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just three months or so
after Shakespeare himself is born.

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The clerk who's recording
the burials for Stratford

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has taken special care
to note in Latin.

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"So here begins the plague."

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And you can see from the list
of burials that follows,

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a huge number of people are dying
in a very short period of time.

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Almost 200 people, or about a seventh
of the population of Stratford,

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so if you think that Shakespeare
would've been just a few months old,

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what infant mortality would've been like
at the time.

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He's sort of very lucky to have survived
that whole incident.

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We know that on houses
on either side of the house

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where they were living,
children born in the same year

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as Shakespeare
had died from the plague.

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So, he survived.

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It was in this house
in Henley Street

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that we believe
William Shakespeare was born.

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He was the son of John Shakespeare
and Mary Arden.

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Now, the Ardens were a very well
established family here in Warwickshire,

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they trace their roots back
to before William the Conqueror.

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And when William Shakespeare arrived,

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his parents must've seen that
as a very great blessing indeed

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because they'd already lost
two baby girls.

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John Shakespeare,
William Shakespeare's father,

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started very humbly in Stratford,
started as an apprentice glove-maker.

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He became an ale taster,

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he became somebody who checked
that bread was made properly

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and then worked his way up to eventually
becoming the Mayor of Stratford.

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When young William was 4,
this is when his father's made the mayor,

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and he would've had
on the day he went

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to any council meetings,
he would've had almost like a procession

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from the front of the house,

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down Henley Street
and along to the Town Hall.

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So, that must've made a huge impression

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on a very young William Shakespeare,

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seeing his father dressed
in all his regalia,

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parading down Henley Street.

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He was always known
as a glove maker/whittawer.

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Now, a whittawer is a tanner.

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A tanner, but who's producing
really fine white leather,

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and that ties in
with the sort of gloves

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that John Shakespeare was making,
these are fashionable,

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high-quality gloves
made for the well-to-do.

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As a young boy,
William would've been in contact

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with all kinds of people through
the trade connections of his father.

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This could've given him
inspiration and language

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for the colorful characters in his plays.

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John Shakespeare had
a mysterious side,

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which we can only guess at.

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It is very possible that he was
a secret Roman Catholic.

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Now, was this the reason
that he didn't attend church

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and he received
a fine from the queen...

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and that he had his name on a list
nailed to the church door?

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Or was it because he'd been
exposed dealing illegally in wool,

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so that he was nervous of stepping out
and being arrested?

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See, this was the atmosphere of the time.

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If you stretched the law
even a little bit, you were reported.

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I think it was this sense of turmoil

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of not being certain how long Elizabeth's
reign was perhaps going to last.

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And with the changes
that happened in previous reigns

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with Mary and Edward
and Henry before them,

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there was that element of uncertainty

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and the state wanting
to control things much more closely.

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So, John Shakespeare's name
appears on a list of...

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On a recusancy list,

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which is people who've failed
to take the Protestant communion.

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We now know, of course,
Queen Elizabeth has a network

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of spies throughout England.

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If you're a wool merchant,
you pay taxes to the crown

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on your transactions.

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So, of course,
John Shakespeare isn't doing this,

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so did the Wool Merchants Guild
get tipped off

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by one of Queen Elizabeth's spies?

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"Hey, there's this guy in Stratford,
John Shakespeare,

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buying all this wool,
he's not in the Guild,

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he's not paying taxes,
what are you gonna do about it?"

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And, of course, what they did,
John Shakespeare was fined,

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the wool he'd bought
which he hadn't actually sold on,

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it was all confiscated,

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and from that moment on,
John Shakespeare is heavily in debt.

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John Shakespeare lost much
of his wealth and his property

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because of the fines
imposed upon him.

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But he didn't lose this house
in Henley Street.

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Later on, things got better.

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Because John was still held in good
opinion by the aldermen of Stratford,

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he was granted
his own coat of arms in 1592

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and was therefore back in business
for the rest of his life.

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The town in Shakespeare's boyhood
had an important school,

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King Edward School,
a foundation of King Edward VI.

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It would've been
a normal education,

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so perhaps it would be challenging
by our standards,

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I mean, it was often said
that the Latin and Greek

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that Shakespeare would've learnt or
any grammar school pupil would've learnt

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would be the equivalent
to a university classics course today.

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School starts at six o'clock in the
morning and they go through the whole day.

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They would've started learning
simple alphabet

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and the catechisms, sort of
the Lord's Prayer, things like that.

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Moved on to more complex things,

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starting with perhaps Aesop's Fables,
you'd learn your grammar as well,

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perhaps some Seneca, Virgil.

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So, all of the sort of classic authors

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that we think of would've been very much
the foundation of that curriculum.

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He would've read
Ovid's Metamorphoses,

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for example, the great Latin classic,
he would've read Virgil's Aeneid.

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It was an education
in oratory and rhetoric,

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and that is reflected
in his plays, I think.

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He would've learnt there to argue,

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he would've learnt there to argue
on both sides of the case

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and is brilliant at doing that
in the plays.

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If you take a play
like Measure for Measure, for example,

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where Claudio, the young Claudio,
is condemned to death,

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there's a wonderful scene
where the Duke is disguised as a Friar,

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is trying to persuade Claudio
to be "absolute for death," as he says.

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And he's trying to persuade him
of the consolations of religion,

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uh, that it's not all that bad to die,
after all.

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But then a few hundred lines later,
there is a wonderful speech from Claudio

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which puts exactly
the opposite point of view:

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But to die and go we know not where,
to lie in cold obstruction and to rot.

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Now, there's an example
of Shakespeare's dialectic skill,

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the way that he can present
two totally opposing cases

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within a single scene of a play.

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Now, of course, Stratford is
synonymous with the name Shakespeare

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and you can see memorials
to his legacy all over this town.

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But, of course, William had no chance
of establishing himself

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as an actor or a playwright here.

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Although his father had a very prosperous
career in William's early years,

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later he had huge financial problems,

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and it was only by a very risky move
to London

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that William was able once again
to restore the name of Shakespeare.

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This is the cottage
of the Hathaway family.

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We know that William Shakespeare
married Anne Hathaway in 1582,

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when William was 18 and she was
some eight or nine years older.

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But it is remarkable how little else
we know about her,

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and we can only speculate
about their marriage.

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We do know that they had
three children, there was Susanna,

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the firstborn, and then the twins,
Hamnet and Judith.

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Hamnet, who was to die
when he was 11 years old

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from an outbreak of the plague.

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But for a man
who wrote wonderful love sonnets

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and who penned the greatest
love story ever, Romeo and Juliet,

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it is remarkable how little
we know about his own love story.

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It is my lady.

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Oh, it is my love.

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Oh, that she knew she were.

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She speaks... yet she says nothing,
what of that?

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Her eye discourses, I will answer it.

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I am too bold.

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'Tis not to me she speaks.

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We do know that in August 1582,

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Stratford enjoyed the benefits
of a bounteous harvest,

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and it must've been at this time that
William and Anne had their lovers' tryst.

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Perhaps on a summer's evening,
sitting on a set hay bale,

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during the feasting to celebrate
the end of harvest,

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William, still a teenager with his quick
and easy wit, charms Anne.

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Maybe they had
a hand fasting ceremony,

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it's an ancient tradition still existing
in Warwickshire at the time,

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in which the couple shared vows

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and then shared a bed
before the official church wedding.

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Oh, me.

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She speaks.

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O, speak again, bright angel.

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Oh, Romeo, Romeo,

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wherefore art thou, Romeo?

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The legal age to marry is 21.

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So, if you imagine you're a young man,
you've served your apprenticeship,

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you're in your early 20's,
you then have to get yourself a job.

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And so the logical thing is,
you're not marrying

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and you're not marrying girls
from the villages until your mid-20's.

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So, here we have
young William Shakespeare,

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who's only 18 and he's underage.

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I'm sure she would've had
young farmers queuing up to marry her.

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So, what's this young William Shakespeare
got going for him at this point in time?

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Romeo, doff thy name.

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And for that name which is no part
of thee, take all myself.

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I take thee at thy word. Call me but love
and I'll be new baptized.

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Whatever the details were,
we know for certain

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that Anne became pregnant
and an official church ceremony

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had to be rushed through
before a noticeable bump developed.

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There was a hurried dash
to Bishop's Court in Worcester

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to enable the marriage to proceed,

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and the huge sum of 40 pounds was paid
as surety for a marriage bond

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to be paid
if the marriage were to prove invalid.

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We know that William Shakespeare
married Anne Hathaway in 1582

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when they had their first child,
Susanna, in the year after.

235
00:16:28,840 --> 00:16:33,360
But the years 1585 to 1592

236
00:16:33,440 --> 00:16:37,800
are a time of intense frustration
for Shakespeare historians.

237
00:16:37,880 --> 00:16:43,000
We know practically nothing at all
about that elusive seven-year period.

238
00:16:43,080 --> 00:16:46,080
And consequently,
we have no idea how and why

239
00:16:46,160 --> 00:16:49,320
he first began his career upon the stage.

240
00:16:49,400 --> 00:16:51,280
Many theories have been advanced.

241
00:16:51,360 --> 00:16:55,480
Some say that he headed off
for Lancashire, the Catholic stronghold,

242
00:16:55,560 --> 00:17:00,080
an earlier biographer said that he became
a school teacher in the country.

243
00:17:01,760 --> 00:17:04,920
I think it's perfectly possible
that he was kept on at Stratford school

244
00:17:05,000 --> 00:17:08,480
as an usher, they were called,
the assistant schoolmaster.

245
00:17:08,560 --> 00:17:11,200
He was obviously
a very talented, clever boy.

246
00:17:11,280 --> 00:17:13,800
I think it's quite possible
that he did some teaching here.

247
00:17:16,080 --> 00:17:18,880
Or perhaps he joined
a traveling group of players,

248
00:17:18,960 --> 00:17:21,480
many of which came
through Stratford to perform,

249
00:17:21,560 --> 00:17:24,680
and this is where he found his calling.

250
00:17:38,400 --> 00:17:44,800
We know that in 1587,
the Queen's Men came to Stratford.

251
00:17:44,880 --> 00:17:48,040
These were a group of traveling players

252
00:17:48,120 --> 00:17:50,480
backed by Queen Elizabeth I's government

253
00:17:50,560 --> 00:17:51,920
who performed around the country

254
00:17:52,000 --> 00:17:55,280
what was essentially propaganda
to support her reign.

255
00:17:56,280 --> 00:18:00,600
The Queen's Men weren't a touring company
in the modern sense of the word,

256
00:18:00,680 --> 00:18:03,680
no, they were more of a variety act.

257
00:18:03,760 --> 00:18:08,720
Acrobatic performances
and comic routines alongside the plays,

258
00:18:08,800 --> 00:18:15,720
but it is the list of those plays and
the fact that they were here in Stratford

259
00:18:15,800 --> 00:18:17,480
which is the interesting point.

260
00:18:17,560 --> 00:18:23,120
We know from old records
that they put on the story of Richard III,

261
00:18:23,200 --> 00:18:27,680
the story of King Lear,
the famous victories of Henry V,

262
00:18:27,760 --> 00:18:30,240
and don't they sound familiar?

263
00:18:30,640 --> 00:18:35,720
Is it possible
that Shakespeare did join that company

264
00:18:35,800 --> 00:18:39,840
and was inspired to write his own version
of the stories of the plays

265
00:18:39,920 --> 00:18:41,200
that they were producing?

266
00:18:42,600 --> 00:18:46,280
Omit no happy hour that may
give furtherance to our expedition.

267
00:18:46,360 --> 00:18:50,280
For we have now
no thought in us but France,

268
00:18:50,360 --> 00:18:53,440
save those to God
that run before our business.

269
00:18:53,520 --> 00:18:56,640
Therefore,
let every man now task his thought

270
00:18:56,720 --> 00:19:01,320
that this fair action may
on foot be brought.

271
00:19:01,400 --> 00:19:06,680
We know that two of the Queen's
Men went and performed in Elsinore,

272
00:19:07,600 --> 00:19:10,000
famously the setting for Hamlet.

273
00:19:10,080 --> 00:19:13,960
I have heard that guilty creatures
sitting at a play have,

274
00:19:14,040 --> 00:19:15,680
by the very cunning of the scene,

275
00:19:15,760 --> 00:19:21,040
been struck so to the soul that presently
they have proclaimed their malefactions.

276
00:19:22,360 --> 00:19:29,280
For murder, though it have no tongue,
shall speak with most miraculous organ.

277
00:19:29,360 --> 00:19:34,160
Another of the Queen's Men,
William Knell,

278
00:19:34,240 --> 00:19:39,000
was killed in a brawl
outside a tavern in Oxford

279
00:19:39,080 --> 00:19:41,000
just before the company came to Stratford.

280
00:19:42,800 --> 00:19:44,560
I seize you!

281
00:19:46,560 --> 00:19:51,840
There was a fight and one of
the actors was actually stabbed to death.

282
00:19:52,600 --> 00:19:57,360
And there is a belief that possibly
William Shakespeare stepped in

283
00:19:57,440 --> 00:20:02,480
to that role and then carried on
and eventually got to London that way.

284
00:20:05,160 --> 00:20:07,280
It is possible,

285
00:20:07,880 --> 00:20:13,960
but unless some late 16th-century
document turns up in some old drawer,

286
00:20:14,040 --> 00:20:19,160
we sadly will have no hard evidence
to support this or any other theory.

287
00:20:22,200 --> 00:20:27,560
At some point he makes
that decision to move to London.

288
00:20:27,640 --> 00:20:32,400
We know in Henley Street there was
a stable owned by the Greenaways,

289
00:20:32,480 --> 00:20:36,880
and he would've hired his horse
or had his horse stabled there,

290
00:20:36,960 --> 00:20:39,720
and then made that journey to London.

291
00:20:42,840 --> 00:20:46,480
Whether Shakespeare arrived
in London as part of a troupe

292
00:20:46,560 --> 00:20:48,560
or followed them on his own,

293
00:20:48,640 --> 00:20:51,640
this was a momentous undertaking for him.

294
00:20:51,720 --> 00:20:55,760
It would mark the dawn
of an unparalleled talent

295
00:20:55,840 --> 00:20:59,520
as the author of a body of work
that would be unsurpassed

296
00:20:59,600 --> 00:21:03,120
and would influence generations to come.

297
00:21:12,680 --> 00:21:14,680
The London that Shakespeare found

298
00:21:14,760 --> 00:21:18,320
was a dynamic mix of people
involved in various trades:

299
00:21:18,400 --> 00:21:22,880
Shipping, makers and bakers,
lawyers and priests,

300
00:21:22,960 --> 00:21:27,120
and a court at Whitehall
with Queen Elizabeth at its head.

301
00:21:30,120 --> 00:21:33,160
London was about 100 times bigger
than Stratford.

302
00:21:33,240 --> 00:21:37,040
It was a town of about 200,000 people,
a city, of course.

303
00:21:37,120 --> 00:21:41,520
It was a walled city with numerous
churches, over 300 churches,

304
00:21:41,600 --> 00:21:45,400
a cosmopolitan place, of course,
being on the Thames,

305
00:21:45,480 --> 00:21:47,880
it was a place
where travelers would come and go,

306
00:21:47,960 --> 00:21:49,720
bringing their goods from abroad.

307
00:21:49,800 --> 00:21:54,640
It was a bustling, thriving, busy,
in some ways rather sordid place.

308
00:21:54,720 --> 00:21:58,000
It was just beginning to have
a theatrical community

309
00:21:58,080 --> 00:22:00,760
that begins
during Shakespeare's lifetime.

310
00:22:04,920 --> 00:22:09,280
Shakespeare had arrived
in London at an ideal time.

311
00:22:09,360 --> 00:22:12,440
Playhouses dedicated
to theatrical performances

312
00:22:12,520 --> 00:22:14,440
were a very recent development.

313
00:22:14,520 --> 00:22:16,960
Normally, actors and playwrights

314
00:22:17,040 --> 00:22:19,920
had to make do with performing
in the yards of taverns

315
00:22:20,000 --> 00:22:21,760
or in the homes of aristocrats.

316
00:22:21,840 --> 00:22:25,880
But now the opportunities were endless.

317
00:22:25,960 --> 00:22:29,400
Just as with the invention of cinema
and the birth of television,

318
00:22:29,480 --> 00:22:33,400
a whole new medium was opening up
to the masses,

319
00:22:33,480 --> 00:22:36,440
and Shakespeare capitalized on it.

320
00:22:37,440 --> 00:22:40,600
It wouldn't all be plain sailing though.

321
00:22:40,680 --> 00:22:44,360
An outbreak of plague struck
the city in 1592,

322
00:22:44,440 --> 00:22:48,680
and the theaters were shut
just as Shakespeare had hit his stride.

323
00:22:48,760 --> 00:22:52,440
But, as always,
it seems he adapted quickly

324
00:22:52,520 --> 00:22:57,960
and soon had great success publishing
the narrative poem Venus and Adonis.

325
00:22:58,040 --> 00:23:00,160
It was based on Metamorphoses,

326
00:23:00,240 --> 00:23:04,240
another narrative poem
by Shakespeare's favorite writer, Ovid,

327
00:23:04,320 --> 00:23:07,800
whom he adored from the time
he first would've encountered his work

328
00:23:07,880 --> 00:23:09,880
back at school in Stratford.

329
00:23:09,960 --> 00:23:14,560
Shakespeare simply couldn't resist
a return to the theater,

330
00:23:14,640 --> 00:23:18,480
and he threw himself almost exclusively
into the life of a playwright

331
00:23:18,560 --> 00:23:20,600
once the theaters reopened.

332
00:23:20,680 --> 00:23:24,040
Perhaps he knew
that it was his true calling

333
00:23:24,120 --> 00:23:28,080
or perhaps he simply missed
the thrill of acting.

334
00:23:28,640 --> 00:23:31,760
It's thought that he took on roles
himself throughout his career,

335
00:23:31,840 --> 00:23:35,080
whatever the reason,
we can all be very grateful

336
00:23:35,160 --> 00:23:37,200
that he turned his back
on what seemed to be

337
00:23:37,280 --> 00:23:40,440
a more relaxed
and lucrative career as a poet.

338
00:23:41,240 --> 00:23:43,920
My liege, the noble Mortimer,
leading the Mayor of Herefordshire

339
00:23:44,000 --> 00:23:47,520
to fight against the irregular
and wild Glendower,

340
00:23:47,600 --> 00:23:50,240
was by the rude hands
of that Welshman taken.

341
00:23:51,280 --> 00:23:54,600
A thousand of his people butchered
upon whose dead corpses

342
00:23:54,680 --> 00:23:57,400
there was such misuse,
such beastly shameless transformation

343
00:23:57,480 --> 00:23:58,720
by those Welshwomen done

344
00:23:58,800 --> 00:24:01,240
as may not be without much shame
retold or spoken of.

345
00:24:01,320 --> 00:24:04,760
It seems then
that the tidings of this broil

346
00:24:04,840 --> 00:24:07,560
brake off our business for the Holy Land.

347
00:24:07,640 --> 00:24:11,280
This matched with others does,
my gracious lord.

348
00:24:12,200 --> 00:24:17,120
Given that Shakespeare had thrown himself
back into the world of a playwright,

349
00:24:17,200 --> 00:24:22,640
he was going to need to create
new material at an alarming rate.

350
00:24:22,720 --> 00:24:25,920
Writer's block didn't seem to exist
in Elizabethan England,

351
00:24:26,000 --> 00:24:29,920
as theaters had such a very quick turnover
of the plays that they staged.

352
00:24:30,440 --> 00:24:34,720
Just as he took inspiration
from Ovid for his poems,

353
00:24:34,800 --> 00:24:37,560
Shakespeare dug deep
into a very handy book

354
00:24:37,640 --> 00:24:42,520
called The Holinshed's Chronicles
of England, Scotland and Ireland.

355
00:24:44,560 --> 00:24:48,440
Holinshed's Chronicles is a hugely
significant source book for Shakespeare.

356
00:24:48,520 --> 00:24:50,360
It's essentially,
as the name suggests,

357
00:24:50,440 --> 00:24:53,440
a chronicled history
of England, Ireland and Scotland.

358
00:24:54,040 --> 00:24:57,600
There are two editions of Holinshed,
one published in 1577,

359
00:24:57,680 --> 00:24:59,720
and this one, published in 1587,

360
00:24:59,800 --> 00:25:02,320
which is the one that we believe
Shakespeare used as a source

361
00:25:02,400 --> 00:25:04,200
for much of the history plays.

362
00:25:10,040 --> 00:25:13,360
With Henry V, for example, Holinshed
describes the Battle of Agincourt

363
00:25:13,440 --> 00:25:15,040
and the campaigns overseas,

364
00:25:15,120 --> 00:25:17,640
so you can see where Shakespeare's
getting the story ideas from

365
00:25:17,720 --> 00:25:20,840
that he then turns into the plays
on-stage themselves.

366
00:25:20,920 --> 00:25:26,360
For many of our princes, woe the while,
lie drowned and soaked in mercenary blood.

367
00:25:27,520 --> 00:25:30,640
O, give us leave, great king,
to view the field in safety

368
00:25:30,720 --> 00:25:33,480
and dispose of their dead bodies.

369
00:25:33,560 --> 00:25:39,360
I tell thee truly, herald,
I know not if the day be ours or no.

370
00:25:42,280 --> 00:25:45,360
The day... is yours.

371
00:25:47,920 --> 00:25:51,880
As the 16th century came
to a close,

372
00:25:51,960 --> 00:25:54,960
Shakespeare had managed
to bring together everything

373
00:25:55,040 --> 00:25:58,520
that he needed to dominate
the London theatrical scene.

374
00:25:58,600 --> 00:26:01,920
He knew how to leave audiences
in stitches with his early hits,

375
00:26:02,000 --> 00:26:04,440
The Comedy of Errors
and The Taming of the Shrew,

376
00:26:04,520 --> 00:26:07,600
and his trusted copy
of Holinshed's Chronicles

377
00:26:07,680 --> 00:26:10,680
had provided the material
for his plays on the English kings,

378
00:26:10,760 --> 00:26:14,160
including Henry VI and Richard III.

379
00:26:14,240 --> 00:26:17,040
But he needed a star creation of his own,

380
00:26:17,120 --> 00:26:20,200
a character that would bring him
bigger crowds than ever

381
00:26:20,280 --> 00:26:22,880
on the rapidly expanding
London stage scene,

382
00:26:22,960 --> 00:26:28,040
and he found it in John Falstaff,
a buffoonish knight.

383
00:26:28,120 --> 00:26:30,240
Give me a cup of sack, rogue.

384
00:26:31,280 --> 00:26:34,000
Is there no virtue extant?

385
00:26:34,720 --> 00:26:38,760
Go thy ways, old Jack,
die when thou wilt.

386
00:26:38,840 --> 00:26:42,480
If manhood, good manhood, been not
forgot upon the face of the earth,

387
00:26:42,560 --> 00:26:44,520
then I'm a shotten herring.

388
00:26:45,680 --> 00:26:51,160
There live not three good men unhanged
in England and one of them is fat.

389
00:26:52,560 --> 00:26:56,800
Falstaff delighted audiences
more than any other character of the era,

390
00:26:56,880 --> 00:27:00,040
he stole the show
in Henry IV Part 1 and 2,

391
00:27:00,120 --> 00:27:04,240
and was so popular that Shakespeare had
to knock out a comedy with Falstaff

392
00:27:04,320 --> 00:27:09,240
as the main character, the rather hastily
written The Merry Wives of Windsor.

393
00:27:09,320 --> 00:27:12,360
They say that jealous wittolly knave
hath masses of money

394
00:27:12,440 --> 00:27:14,840
for the which his wife seems to me
well-favored.

395
00:27:14,920 --> 00:27:18,040
Now, I will use her as the key
to the cuckoldy rogue's coffer,

396
00:27:18,120 --> 00:27:19,800
and there's my harvest home.

397
00:27:19,880 --> 00:27:23,640
I would you knew Ford, sir,
that you might avoid him if you saw him.

398
00:27:23,720 --> 00:27:26,720
Oh, hang him.

399
00:27:26,800 --> 00:27:29,520
Having created such a smash hit,

400
00:27:29,600 --> 00:27:33,520
you could say that the world was
now Shakespeare's oyster,

401
00:27:33,600 --> 00:27:36,720
which would be fitting,
as he invented that phrase

402
00:27:36,800 --> 00:27:39,040
when writing the character of Falstaff.

403
00:27:40,720 --> 00:27:43,760
London had given
William Shakespeare a stage,

404
00:27:43,840 --> 00:27:47,040
but too often
it had been a precarious one.

405
00:27:47,120 --> 00:27:50,160
His friends, the Burbage family,
had to move their playhouse,

406
00:27:50,240 --> 00:27:53,480
the theater,
as they did not own the land.

407
00:27:53,560 --> 00:27:57,600
William and his colleagues became
the shareholders of the Globe,

408
00:27:57,680 --> 00:28:01,240
which they erected
from the timbers of the previous theater.

409
00:28:06,040 --> 00:28:08,600
Shakespeare's success in London
as a playwright

410
00:28:08,680 --> 00:28:10,840
had brought him much fame,

411
00:28:10,920 --> 00:28:15,400
sometimes perhaps unnerving
when it came to royal attention.

412
00:28:15,480 --> 00:28:19,400
Life in Shakespeare's England
could be a dangerous endeavor.

413
00:28:19,480 --> 00:28:23,560
London was a city
full of intrigue and espionage.

414
00:28:23,640 --> 00:28:26,880
Elizabeth was never easy
in her role as queen

415
00:28:26,960 --> 00:28:30,200
and was always on the lookout
for possible usurpers

416
00:28:30,280 --> 00:28:33,800
and employed a contingent of spies.

417
00:28:36,200 --> 00:28:39,760
Elizabethan England,
with all its excitement,

418
00:28:39,840 --> 00:28:42,880
would've been
an amazingly vibrant place to live.

419
00:28:43,680 --> 00:28:47,880
We know at one point he's living
literally a few hundred yards

420
00:28:47,960 --> 00:28:49,560
from the Globe Theatre.

421
00:28:49,640 --> 00:28:52,840
It was the red-light district of London.

422
00:28:52,920 --> 00:28:56,120
So, I mean, it's outside the city walls

423
00:28:56,200 --> 00:28:58,560
so people would've been ferried
across the Thames

424
00:28:58,640 --> 00:29:01,720
and that's the Soho of the day, really.

425
00:29:01,800 --> 00:29:03,920
It's an amazingly lively place.

426
00:29:05,800 --> 00:29:08,440
The building
of the Globe Theatre would at last

427
00:29:08,520 --> 00:29:11,520
give Shakespeare
a proper home for his plays,

428
00:29:11,600 --> 00:29:15,800
which inspired him to become
more and more creative.

429
00:29:19,080 --> 00:29:23,120
This is Shakespeare's
Globe Theatre in Bankside.

430
00:29:24,120 --> 00:29:27,320
It welcomed its first audiences in 1997,

431
00:29:27,400 --> 00:29:31,280
almost four centuries
after the original Globe Theatre,

432
00:29:31,360 --> 00:29:35,600
which this building is intended
to replicate, first opened its doors.

433
00:29:35,680 --> 00:29:42,000
It was 1599, and Shakespeare was
a shareholder in the playing company,

434
00:29:42,080 --> 00:29:43,840
The Lord Chamberlain's Men.

435
00:29:44,840 --> 00:29:47,280
It was a formidable troupe.

436
00:29:47,360 --> 00:29:49,760
Shakespeare was
the resident genius playwright,

437
00:29:49,840 --> 00:29:51,680
but also still an actor, of course.

438
00:29:51,760 --> 00:29:55,760
They had a superstar leading man
in Richard Burbage,

439
00:29:55,840 --> 00:30:00,000
who had the enormous honor
of taking on William's greatest roles

440
00:30:00,080 --> 00:30:05,560
for the first time, including Hamlet,
King Lear and Macbeth.

441
00:30:05,640 --> 00:30:10,760
They also had a supreme comedian,
the other Will in the group,

442
00:30:10,840 --> 00:30:14,600
Will Kempe, who would
send audiences into raptures

443
00:30:14,680 --> 00:30:18,240
with his performances
of Sir John Falstaff.

444
00:30:20,120 --> 00:30:24,720
Shakespeare would often be at court
entertaining the queen with his plays.

445
00:30:24,800 --> 00:30:28,200
When Elizabeth died
and James became king,

446
00:30:28,280 --> 00:30:30,960
the royal patronage stayed with him.

447
00:30:31,040 --> 00:30:35,600
Shakespeare was now
a significant member of the King's Men.

448
00:30:37,040 --> 00:30:41,920
It was at the Globe
that Shakespeare truly cemented his legacy

449
00:30:42,000 --> 00:30:44,560
as the greatest writer
in the English language.

450
00:30:45,160 --> 00:30:48,880
Hamlet, Julius Caesar, Macbeth,

451
00:30:48,960 --> 00:30:55,520
King Lear, Othello, they all had their
first-ever performances at the Globe.

452
00:31:04,240 --> 00:31:08,400
Such a tragedy
that it burnt down in 1613.

453
00:31:10,640 --> 00:31:13,640
They were having a performance
of the play about Henry VIII,

454
00:31:13,720 --> 00:31:16,280
All is True,
as it was called at the time.

455
00:31:16,360 --> 00:31:20,560
That play has a procession,
and they were using cannon

456
00:31:20,640 --> 00:31:22,520
to have special effects.

457
00:31:22,600 --> 00:31:25,560
And, sadly, one of the cannon
was aimed in the wrong direction,

458
00:31:25,640 --> 00:31:27,680
somebody must've got in trouble for that.

459
00:31:27,760 --> 00:31:31,840
And it set the thatch on fire,
and the theater was burned down.

460
00:31:31,920 --> 00:31:35,400
It must've been a terribly traumatic event
for Shakespeare,

461
00:31:35,480 --> 00:31:38,120
and it's towards the end
of his playwriting career.

462
00:31:38,200 --> 00:31:41,960
And I sometimes think that perhaps
it was so devastating

463
00:31:42,040 --> 00:31:45,120
that that's why he ceased writing plays

464
00:31:45,200 --> 00:31:47,480
towards the end
of the last couple of years of his life.

465
00:31:52,520 --> 00:31:58,680
Once the Globe went down,
so did Shakespeare's desire to write.

466
00:31:58,760 --> 00:32:01,840
He appears to have produced
nothing after this date.

467
00:32:01,920 --> 00:32:05,560
Most scholars agree
that The Tempest is the last play

468
00:32:05,640 --> 00:32:07,160
that he wrote on his own,

469
00:32:07,240 --> 00:32:10,680
and it appears to be
a deliberate swan song.

470
00:32:10,760 --> 00:32:15,000
The character of Prospero relinquishes
his magical powers

471
00:32:15,080 --> 00:32:19,160
at the end of the play
and delivers a poignant speech

472
00:32:19,240 --> 00:32:24,520
where he asks the audience
to "let your indulgence set me free"...

473
00:32:25,760 --> 00:32:31,400
in a way that many people have interpreted
as Shakespeare's own retirement speech.

474
00:32:31,480 --> 00:32:35,160
He did collaborate with other authors
on a few works after The Tempest,

475
00:32:35,240 --> 00:32:39,760
but he appears to have been happy
to bring his solo literary career

476
00:32:39,840 --> 00:32:42,000
to a deliberate end.

477
00:32:50,640 --> 00:32:55,800
When the opportunity arises,
he comes back to Stratford.

478
00:32:55,880 --> 00:33:00,000
This is where his family,
this is where his wife, his children,

479
00:33:00,080 --> 00:33:04,520
his siblings are all living, his friends.

480
00:33:09,000 --> 00:33:11,640
I think
he was a Stratford man all his life,

481
00:33:11,720 --> 00:33:13,560
his family remained in Stratford,

482
00:33:13,640 --> 00:33:16,840
he bought a big house for them
quite early in his career.

483
00:33:16,920 --> 00:33:21,320
He owned New Place, the large house
in the middle of Stratford

484
00:33:21,400 --> 00:33:24,440
from the time
that he was 33 years old.

485
00:33:24,920 --> 00:33:29,080
We believe
for probably 15 to 20 years,

486
00:33:29,160 --> 00:33:34,000
Shakespeare was earning
between 2 to 300 pounds a year.

487
00:33:34,080 --> 00:33:40,640
He is a playwright who actually hangs
on to his wealth and invests it,

488
00:33:40,720 --> 00:33:45,520
and where is he investing it?
It's always in Stratford-upon-Avon.

489
00:33:46,200 --> 00:33:48,600
He bought 102 acres of land,

490
00:33:48,680 --> 00:33:51,560
which is about the same size
as Stratford itself,

491
00:33:51,640 --> 00:33:53,480
the land to the north of the town.

492
00:33:53,560 --> 00:33:58,040
He purchased an interest in the tithes
which he spent a lot of money on.

493
00:33:58,120 --> 00:34:04,720
When he was up in court as a witness
in a court case in 1614,

494
00:34:04,800 --> 00:34:07,480
he was referred to clearly
as William Shakespeare

495
00:34:07,560 --> 00:34:11,760
of Stratford-upon-Avon,
he was thought of as a Stratford man.

496
00:34:24,120 --> 00:34:29,680
William Shakespeare died
on April 23rd, 1616,

497
00:34:29,760 --> 00:34:34,240
and it may be that his death was sudden
and unexpected

498
00:34:34,320 --> 00:34:37,960
because just a month earlier
he had signed his will,

499
00:34:38,040 --> 00:34:41,120
in which he said
he was in perfect health.

500
00:34:41,760 --> 00:34:45,280
In that last will and testament,
Shakespeare left money behind

501
00:34:45,360 --> 00:34:48,200
to his wife and sister,
his niece and nephews,

502
00:34:48,280 --> 00:34:51,920
his children and his grandchildren,
to his friends,

503
00:34:52,000 --> 00:34:56,560
and to the poor in this, his hometown
of Stratford-upon-Avon.

504
00:34:57,040 --> 00:35:01,160
But to the world of literature,
and to the English language,

505
00:35:01,240 --> 00:35:04,960
he left behind an unparalleled legacy.

506
00:35:09,600 --> 00:35:13,160
As feted as Shakespeare was
in his own lifetime,

507
00:35:13,240 --> 00:35:16,640
his legacy, along with all
of his remarkable plays,

508
00:35:16,720 --> 00:35:18,880
could've easily been lost.

509
00:35:18,960 --> 00:35:24,040
What became known
as the First Folio was published in 1623,

510
00:35:24,120 --> 00:35:26,680
that's seven years
after Shakespeare's death.

511
00:35:27,280 --> 00:35:30,760
Thirty-six of Shakespeare's plays
were collected together

512
00:35:30,840 --> 00:35:33,320
by Shakespeare's colleagues
and fellow actors,

513
00:35:33,400 --> 00:35:36,360
John Hemmings
and Henry Condell.

514
00:35:36,440 --> 00:35:41,000
It was a project of great determination
and devotion to Shakespeare.

515
00:35:42,600 --> 00:35:44,320
The First Folio is particularly special

516
00:35:44,400 --> 00:35:48,360
because it records for the first time the
collected plays of William Shakespeare.

517
00:35:48,440 --> 00:35:51,840
And without this book, 18 of the plays
would be lost to us forever

518
00:35:51,920 --> 00:35:54,520
'cause they don't survive
in any other printed form.

519
00:35:54,600 --> 00:35:57,520
And it's clear that they've been
putting together a lot of work

520
00:35:57,600 --> 00:35:59,520
to gather up the plays,
to edit them,

521
00:35:59,600 --> 00:36:03,440
to bring them into what they consider
their preferred format

522
00:36:03,520 --> 00:36:07,160
to be presented for the first time
in their authentic state.

523
00:36:07,240 --> 00:36:10,520
It brings together the plays
in their division into tragedies,

524
00:36:10,600 --> 00:36:15,360
histories and comedies for the first time,
and it presents them in a standard format.

525
00:36:15,920 --> 00:36:18,600
Shakespeare's plays have gone on
to have a huge impact

526
00:36:18,680 --> 00:36:22,600
on our collective thoughts
of so many historical figures.

527
00:36:22,680 --> 00:36:27,400
The way that the world views
Richard III, Cleopatra, Henry V,

528
00:36:27,480 --> 00:36:30,080
Mark Antony, and so many, many more

529
00:36:30,160 --> 00:36:32,920
has been forever altered
by Shakespeare's works.

530
00:36:33,000 --> 00:36:35,120
Speak, hands, for me!

531
00:36:35,200 --> 00:36:40,600
How perfectly did he capture the
sense of betrayal felt by Julius Caesar

532
00:36:40,680 --> 00:36:43,800
as he was assassinated by Brutus,
Cassius and many others

533
00:36:43,880 --> 00:36:48,560
with the simple but devastating line,
Et tu, Brute?

534
00:36:48,640 --> 00:36:51,160
Et tu, Brute?

535
00:36:51,240 --> 00:36:54,200
Then fall Caesar.

536
00:37:14,800 --> 00:37:18,600
The funerary monument
in the Holy Trinity Church

537
00:37:18,680 --> 00:37:21,000
may look a little kitsch,

538
00:37:21,080 --> 00:37:24,320
it has gone through centuries
of retouching, after all.

539
00:37:24,400 --> 00:37:28,280
But it remains one of the only two images

540
00:37:28,360 --> 00:37:33,000
that we are certain was intended
to depict William Shakespeare.

541
00:37:33,080 --> 00:37:36,120
The other is the Droeshout portrait,

542
00:37:36,200 --> 00:37:39,720
which was an engraving placed
on the front cover of the First Folio

543
00:37:39,800 --> 00:37:44,480
and which Ben Jonson declared was
a very good likeness.

544
00:37:47,160 --> 00:37:51,160
In 2009, a new portrait
of Shakespeare came to light,

545
00:37:51,240 --> 00:37:53,280
it was held by the Cobbe family

546
00:37:53,360 --> 00:37:56,120
who had had it in their family
for many, many years

547
00:37:56,200 --> 00:37:59,480
and saw a relationship between it
and another portrait.

548
00:37:59,560 --> 00:38:01,560
Lots of research went into these portraits

549
00:38:01,640 --> 00:38:06,520
and identified them
as being one of William Shakespeare,

550
00:38:06,600 --> 00:38:09,400
probably painted during his own lifetime.

551
00:38:09,480 --> 00:38:13,480
The Birthplace Trust owns
a copy of the Cobbe portrait,

552
00:38:13,560 --> 00:38:15,760
known as the Shakespeare
Birthplace Trust portrait,

553
00:38:15,840 --> 00:38:18,400
and it shows him as perhaps
as a wealthy, more youthful man

554
00:38:18,480 --> 00:38:21,640
than has traditionally been the case
for Shakespeare portraits.

555
00:38:21,720 --> 00:38:25,600
And it's an interesting addition to
the canon of portraiture of Shakespeare,

556
00:38:25,680 --> 00:38:29,080
starting with the First Folio and the bust
that's in Holy Trinity Church,

557
00:38:29,160 --> 00:38:33,480
perhaps being the more traditional views
of what Shakespeare would've looked like.

558
00:38:41,840 --> 00:38:43,600
Shakespeare's greatest legacy of all

559
00:38:43,680 --> 00:38:46,720
remains in the language
we all use every day.

560
00:38:46,800 --> 00:38:50,040
There's the incredible number of words
that he coined

561
00:38:50,120 --> 00:38:55,840
that are as varied as bedroom,
zany, gossip, invulnerable,

562
00:38:55,920 --> 00:39:01,560
lustrous, fashionable, monumental,
eyeball, savagery, and lonely.

563
00:39:01,640 --> 00:39:03,960
They all trace back to the Bard.

564
00:39:04,040 --> 00:39:07,320
He was very fond of expanding
the horizons of the English language

565
00:39:07,400 --> 00:39:09,560
with his own inventiveness.

566
00:39:10,840 --> 00:39:12,800
Shakespeare's had
colossal influence,

567
00:39:12,880 --> 00:39:16,080
a lot of his plays and poems
have produced phrases

568
00:39:16,160 --> 00:39:19,680
which are in anybody's mouths,
even if they don't know Shakespeare,

569
00:39:19,760 --> 00:39:23,720
a lot of people know
what a Romeo is, for example.

570
00:39:23,800 --> 00:39:29,040
Uh, and phrases like a man
more sinned against than sinning,

571
00:39:29,120 --> 00:39:31,440
for example,
which is a line from King Lear,

572
00:39:31,520 --> 00:39:35,920
will be used by people who've never
heard of King Lear even, possibly.

573
00:39:43,000 --> 00:39:47,080
It was Shakespeare's ability
to create a turn of phrase

574
00:39:47,160 --> 00:39:52,280
that really resonates today,
to wait on bated breath,

575
00:39:52,360 --> 00:39:55,880
to vanish into thin air,
to fight fire with fire,

576
00:39:55,960 --> 00:39:58,680
to be made of sterner stuff,

577
00:39:58,760 --> 00:40:04,360
to be cruel to be kind, all phrases
conjured in Shakespeare's plays.

578
00:40:04,440 --> 00:40:07,400
Any adman today would kill
to have Shakespeare's ability

579
00:40:07,480 --> 00:40:09,840
to create such memorable sound bites.

580
00:40:09,920 --> 00:40:14,800
In fact, as many as one in ten
of the common phrases

581
00:40:14,880 --> 00:40:18,640
that we use every day are most likely
the work of the Bard,

582
00:40:18,720 --> 00:40:22,360
which is a truly astonishing number.

583
00:40:22,720 --> 00:40:24,600
Quite a few
of Shakespeare's many phrases

584
00:40:24,680 --> 00:40:27,720
have also become the titles
of works by later authors.

585
00:40:27,800 --> 00:40:33,000
Brave New World, Aldous Huxley's most
famous novel, is taken from The Tempest.

586
00:40:33,480 --> 00:40:37,600
John Steinbeck wrote
The Winter of Our Discontent,

587
00:40:37,680 --> 00:40:40,680
title coming from the opening speech
of Richard III.

588
00:40:40,760 --> 00:40:45,800
Even the very recent hit novel
The Fault in our Stars by John Green

589
00:40:45,880 --> 00:40:48,000
is taken from Julius Caesar.

590
00:40:48,080 --> 00:40:53,680
Shakespeare forever remains...
the ultimate inspiration.

591
00:41:00,680 --> 00:41:02,520
The colossal influence
that Shakespeare

592
00:41:02,600 --> 00:41:05,760
is having increasingly still
on the world of the arts,

593
00:41:05,840 --> 00:41:07,920
the music that's been inspired
by Shakespeare,

594
00:41:08,000 --> 00:41:11,040
the films, the theatrical productions
which go on,

595
00:41:11,120 --> 00:41:13,920
the fact that actors love playing
Shakespeare's roles

596
00:41:14,000 --> 00:41:17,000
'cause they give actors
such incredible opportunities.

597
00:41:21,000 --> 00:41:23,720
He's always
a very chameleon-type person,

598
00:41:23,800 --> 00:41:26,000
I can never quite pin him down,

599
00:41:26,080 --> 00:41:29,400
but I'm very fortunate there are moments
quite often in the morning

600
00:41:29,480 --> 00:41:32,080
when I open the house up on my own.

601
00:41:32,160 --> 00:41:33,680
And just when you walk through,

602
00:41:34,280 --> 00:41:36,840
it's a very humbling experience
to be there,

603
00:41:37,440 --> 00:41:39,840
having spoken to so many people

604
00:41:39,920 --> 00:41:45,640
who it's been a lifetime's ambition
to come to the birthplace.

605
00:41:51,040 --> 00:41:55,200
The works go on being replicated,
inspiring other composers,

606
00:41:55,280 --> 00:41:59,120
inspiring operas,
inspiring ballets, novels, poems,

607
00:41:59,200 --> 00:42:01,160
so that Shakespeare is now
in the water supply,

608
00:42:01,240 --> 00:42:05,160
you can't get away from him.
Television programs, pop songs,

609
00:42:05,240 --> 00:42:08,560
all of them are frequently referring
to Shakespeare,

610
00:42:08,640 --> 00:42:11,760
even subconsciously, very often.

611
00:42:11,840 --> 00:42:14,000
Yeah, Shakespeare is here to stay.

612
00:42:21,040 --> 00:42:25,120
To the reader, this figure
that thou here seest put,

613
00:42:25,200 --> 00:42:28,200
it was for gentle Shakespeare cut.

614
00:42:28,280 --> 00:42:33,120
Wherein the graver had a strife
with nature to out-do the life.

615
00:42:33,200 --> 00:42:36,560
O, could he but have drawn his wit
as well in brass,

616
00:42:36,640 --> 00:42:40,560
as he have hit his face,
the print would then surpass

617
00:42:40,640 --> 00:42:43,440
all that was ever writ in brass.

618
00:42:43,520 --> 00:42:50,480
But since he cannot, reader,
look not on his picture, but his book.




